![]() ![]() But they did use darker rosewood on later modelsĤ-Inlays lacked pearloid detail on early examplesĥ-Many have no serial # and they never used black model # decals, but instead had a 3" adhesive tape decal running between tuners on the back.Ħ-Heel caps were often, if not always used.ħ-Use of other wood species for backs (basswood), off center back seams, white cover plates were also common. Here are the most telling differences:ġ-This 1980's - 1998 pointed bell style TRC is only 1 ply vs 2 ply with thicker white borders on MIJ examplesĢ-The nut is very rectangular vs Japan made nuts that slope up towards the fretboardģ-Fret board wood is very pale on early Korean examples. The headstock dimple is identical to UK models. This A-LS-xx is a left handed example, which makes it a very unlikely fake candidate. Here is a Korean Dimple headstock A-LS example, to help distinguish MIK from U-LS UK Richtone music examples that are MIJ, and similar to domestic Tokais, outside of headstock dimple and sycamore tops used on LS-150F's. ![]() ![]() I found this post by reborn old from 2012 on the mylespaul forum. ![]()
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